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本帖最后由 莳云人CT 于 2010-3-17 11:17 编辑 ' O( q. O0 S7 U) r
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法国资深烧友对纯笛DAC A-1的评测:
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原址:http://www.head-fi.org/forums/f7/review-purepiper-dac-1-excellent-24-96-budget-dac-476557/
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% k% b0 U: m2 h7 z# RReview of the Purepiper DAC A-1
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Preamble:
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3 B7 _4 I1 S& L# M* V2 X, `7 kI was asked by a fellow head-fier (on behalf of Purepiper) if I were interested in reviewing a DAC from a Chinese company I have never heard of before. 4 U$ O; D8 g; @5 U2 Y6 Q
After accepting, Purepiper sent me pretty quickly their DAC A-1 and I received it about 2 weeks ago. ; [6 ^# w, L2 R) Q% W, o8 D
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c3 X) j. x! |' c6 S0 x3 t1 S% SPackaging and Build Quality:
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8 Z; O' k- ~8 P+ [5 k1 w3 KThe Purepiper DAC A-1 came in a nice and professional package. In my case, Purepiper sent along with the DAC their usb to spdif converter (usually sold separately).
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However, before even powering it up, I was curious to see the insides of this DAC. After opening it up, I was very impressed with the quality inside. It looked very tidy and well organized inside (pictures at the end of the review).
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The first interesting thing for a DAC that is going to be selling for $170 (as I was told) is that it has 2 separate transformers inside: one for the digital section and another for the analogue section. This is a nice touch for an entry level DAC.
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$ d3 ?& G) {- RFor the digital section, it uses the DIR9001 digital receiver. It is limited to 24/96 but it is has a lower jitter than the CS8416 commonly used in other DACs (40ps for the DIR9001 vs. 200ps for the CS8416). By the way, I have had the opportunity to try both digital receivers in the same DAC and I can attest that the DIR9001 is sonically definitely superior to the CS8416. " |9 x3 \8 U+ u- ~. y- `9 z
Anyway, while 24/96 (hi-rez) can provide an improvement over 16/44 (cd quality), it is mainly because it makes filtering easier. Anything beyond 24/96 is just marketing. So it is nice to see that Purepiper has not chosen the easy way (24/192) and preferred to offer a 24/96 that actually sounds better than the 24/192 one.
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: }: D) M' y" L E/ GAs for the DAC section, the DAC A-1 uses the CS4398. It is the top of the line Cirrus dac chip. It also uses the OPA2604 for the digital filtering. It is an audio grade opamp that is supposed to be better than the well known OPA2134.9 g* k* R% q1 k
& [' g7 R# E q0 l2 f. X1 P. a6 VAs for the output stage, the DAC A-1 uses a discrete output stage with what seems to be 4 big output capacitors.
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Overall, the choice of components is quite impressive for a unit sold at this price. I cannot but help to compare the insides of some commercial and well known DACs. The insides of the much more expensive PS Audio DLIII looks empty (and cheap) in comparison with the Purepiper. So even if the components used by themselves do not mean much, it is nice to see that a company is not cutting costs everywhere.
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& z. {6 I/ E( w; xSetting-up the DAC:1 e& F4 Q; `+ ^, p# @3 ~1 e* c
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Inputs/Outputs:% [3 J0 w9 U. A9 I9 f6 @0 [( K
" I7 B/ t, R* v2 j9 vThe DAC A-1 has only 2 digital inputs: a coaxial and optical input. It doesn’t have a usb input which is a good thing in my opinion and here is why: In most DACs I have tried, the usb input was an afterthought and its performance level never approached that of the coaxial input. Even by using very cheap external usb to spdif converters, the performance is usually better than using the internal built-in. The reason behind that is because most built-in usb do not offer galvanic isolation from the computer. However, by using an external device and using the spdif inputs, you are providing the DAC with galvanic isolation (if the DAC or the usb to spdif converter are using transformers which they do most of the time). Also most built-in usb inputs are limited to 16/48. Only a few high end companies offer good usb solutions built-in into their DAC (Ayre, Wavelength, DCS...) but they never come cheap. e0 a) J+ B o6 b
To cut it short, the DAC A-1 doesn’t have a usb input but it shouldn’t be discarded for that reason. Purepiper offers a usb to spdif converter that sells for $22 but it is limited to 16/48. For those who want to have 24/96 capability, they can probably go towards the Teralink-X2. $ |6 W: B7 f8 g8 ?3 \7 C8 T: j0 Q7 x
; Z+ T9 ]3 k4 _/ S# s6 Z$ wTweaks:
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The Purepiper DAC A-1 was not extremely sensitive to tweaks (change in transport, digital cables, power cord). This is a good thing for an entry level product because it means that it should work pretty much near its full potential in most cases. This is contrary to the experience I had with the Audio-gd DACs which require a lot of care/tweaks before they sound their best. However, for the sake of consistency and fairness, I used the same source, digital cable, power cord, platform support... when I was comparing the DACs.: Q# U1 J' H5 T: A
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Main Chain used for this review:
' w3 p5 K5 E& p# gFoobar v1.0 --> Kernel Streaming --> M2Tech hiFace BNC --> Oyaide DB-510 --> Purepiper DAC A-1 --> Artisan Cables "Ultimate Silver Dream" (or Kimber PBJ) --> Audio-GD C-2C (or Little Dot MkIII) --> Artisan Silver Cables --> Sennheiser HD-650
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Power related accessories:9 p, P9 [6 ] A7 w3 `) _
Hi-Fi Cables & Cie PowertransPlus Power Cords (x2)' G! g- j9 i8 Z( m/ h. G( n
Hi-Fi Cables & Cie SimplePower# z1 `9 s% F( F# `
Bada LB-5600 Power Filter Plant7 m6 o# _9 ?# S
Essential Audio Tools Noise Eater Parallel Filter
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9 P; e, `& Q$ C4 B2 gVibration Control:
% s. n- `+ l5 L( A1 L- l: E! WE&T Spider Rack, Maple platforms, Sandboxes, Brass cones, Acrylic and Fiber carbon sheets, Yamamoto footers, Herbie's Audio Lab Tenderfoot, SuperSonic Component Stabilizer
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2 m/ Q5 w4 P# m6 K [, o7 M' ^Some of the reference tracks used for this review:
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- x/ F; I# q" j0 q+ P/ XMozart Violin Concertos - Marianne Thorsen - 2L - 24/96
0 _' I7 T, z2 k, i2 WSol Gabetta - Schostakowitsch Cellokonzert Nr. 2/Cello" H8 o) J0 x) j0 r
Vivaldi - Concerto for 2 violins - Carmignola/Mullova3 [: p: G9 i* b
Keith Jarrett - Paris / London - Testament - 24/96
7 \% x& F3 S4 V. W" V% {4 YGlenn Gould - The Goldberg Variations 1981
& w8 c8 ~2 A7 E$ A, dHans Zimmer - Gladiator Soundtrack
% X$ \' [! Q, t: r+ T8 ^& ]1 b% ^The Dave Brubeck Quartet - Take Five
% t. e1 D: ~- ~# i K! \9 l6 MThe World's Greatest Audiophile Vocal Recordings - Chesky - 24/96
0 M/ k+ f2 {$ m" _, C7 ^4 t2 yDiana Krall - Live in Paris, q0 B4 L: c0 F$ Q# @" |* h$ W9 g. i
Norah Jones - Come Away With Me7 v# Q1 R0 a- n7 c1 h% I" U6 {
Patricia Barber - Companion1 |. y8 p( U! U- m# q" T! r
Soundrama - "The Pulse" Test CD
8 v) | b" e7 @) k4 LHead-fi/Chesky Sampler - Open Your Ears - 24/964 g, ? t6 Q/ x; }& t4 M) y& k
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The review:
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Timbre & Tonal Balance:7 _8 H/ A! J' G/ G
1 i6 W3 H0 _7 O7 d9 [: h$ wBefore getting into the description of the sound, I have to note that the Purepiper DAC A-1 is voiced a little differently than the audio-gd DACs I have been using these last months. It has a more upfront presentation that took me a little while to get adapted to. 9 H5 A$ p9 k( x2 T) v
3 w2 X( n6 O' K* Z; v' ]Straight out of the box (before burn-in) the sound was thick, warm and soft (not very extended on top). After 200 hours+ of burn-in (mainly using the Isotek Burn-in CD and some 24/96 files during that time), the sound became a lot clearer and more extended on top (those big output coupling capacitors probably need a lot of running before to settle-in). By the way, I only listened for a few minutes at a time during the burn-in process, so it was the component and not my ears that burned-in. |
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